
In 1969, I was 16. All I cared about then was my girlfriend, music, civil rights and seeing the war stop in Vietnam. I went with a bunch of friends to see "Chitty Chitty Bang Bang." All the new films were playing at the nearby naval base for $.25 and the children of naval personnel could bring friends. All we heard was that it was a "Mary Poppins" clone, so it couldn't be that bad. We left disappointed calling it "Shitty Shitty Bang Bang." With the war going on, it seemed out of touch and out of place. A sweet little musical needed an edge like "Hair." I never saw it again until tonight.
I didn't realize then that it was based on a book by a man named Ian Fleming, who had become fanous for a series of secret agent books that had turned into a worldwide hit film franchise called "James Bond-007." I didn't know that the screenplay was by some man named Roald Dahl who would soon also become known worldwide for movies based on his books like "Charlie and the Chocolate Factory." I didn't realize that Gert Frobe, who played "Goldfinger," was one of the main actors, playing a completely different character, so well, that it showed the artistry of the performer.
I did know that it starred Dick Van Dyke, who starred in "Mary Poppins" and the musical score was by Richard and Robert Sherman who also brought that musical to life.
The film starts out as an exact clone of "Mary Poppins" and other than some elaborately staged musical numbers, a haunting song called "Hushabye Mountain" and a decision to have Dick Van Dyke be the only one without an English accent (although he is the father of two very British children), it still seems very lacking.
But then it changes direction. A brilliant and comical political satire unfolds for the remainder of the film. While children on their level are just seeing silliness, clowning around and absurd antics--adults are seeing a comical commentary on totalitarianism, fascism and suffering.
16 year olds in 1969 grew up on Disney, Bozo and in an idealistic world. There would be no way they would recognize the underlying theme from Fleming, a man who worked in British Naval Intelligence during the war and was surrounded by the destruction of Nazis.
I think many baby boomers missed this one and should really give it a second chance--even if it is 40 years later.